











D'Angelo Lovell Willams: Contact High
Both an artistâs book and comprehensive inquisition of DâAngelo Lovell Williamsâs work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williamsâs narrative images reflect the many forms in which Black queer people exist and have existed historically within each otherâs lives, picturing them as sitters, lovers, caregivers, or shadows. Williamsâs work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williamsâs work, and alludes to heightened senses and intuitive movement.
From self-portraits to collaborations with community, Williamsâs photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williamsâs unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualised as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions.
Published by Mack, 2022
Embossed hardcover with tipped-in image, 104 pages
9 x 11 inches (23 x 27.8 cm)
Original: $50.00
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Description
Both an artistâs book and comprehensive inquisition of DâAngelo Lovell Williamsâs work to date, Contact High offers an expansive engagement with the visualization of desire and depiction of the Black body. Williamsâs narrative images reflect the many forms in which Black queer people exist and have existed historically within each otherâs lives, picturing them as sitters, lovers, caregivers, or shadows. Williamsâs work is guided by their life experience and an interrogation of their own perspective, as well as wider questions around the representation of race, class, sexuality, gender, and intimacy. The title Contact High references the importance of touch and gesture in Williamsâs work, and alludes to heightened senses and intuitive movement.
From self-portraits to collaborations with community, Williamsâs photographs visualize the Black body in performative scenes that are theatrical, dance-like, and occasionally mundane, pointing towards collective histories and Black ancestral practices. At the heart of these intimate, dialogic images are notions of kinship and spirituality interweaved with quietly political and radical gestures. Williamsâs unfaltering gaze insists on visibility and deference, and creates scenes in which Black and queer voices are the authority. The dynamics that play out between families, cultures, friends, lovers, ancestors and descendants are visualised as a spectrum of care, tenderness, and vulnerability, speaking to the nuances of our complex lives often overlooked by historical depictions.
Published by Mack, 2022
Embossed hardcover with tipped-in image, 104 pages
9 x 11 inches (23 x 27.8 cm)

















